![]() ![]() Women were meant to be immobile, domestic objects. ![]() Women, she realized, had been taught to be small and silent. She was suddenly surrounded by a litany of violent stories, countless women, including herself, threatened, harassed, and violated by aggressive men. While living on Lyon Street, Solnit began interrogating the world around her. The apartment was not a symbol of entrapment, but acted as a gateway to Solnit's coming versions of self. Her apartment was diminutive, but she saw it as a haven, as well as a foundation. ![]() Though the neighborhood was often deemed violent and unsafe, Solnit grew attached to her Lyon Street community. Desperate to leave, she found her own apartment in the projects in San Francisco when she was still a teenager. ![]() The text subverts linear memoir progressions through time, and frequently envelops a range of other voices and stories within her own.Īs a young girl, Solnit grew up in a violent familial setting. Rebecca Solnit's memoir, Recollections of My Nonexistence, is written from her first person perspective, and is divided into nine titled sections, each containing smaller numbered chapters. The following version of this book was used to create the guide: Recollections of My Nonexistence. ![]()
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